Agatha Christie’s novels are famous for their red herrings, the three red passports of the American passengers not only brought cohesion to their origins but paid homage.
Small sheets of flash paper were used to create a fast and bright visual. The spirit lamp mentioned in the script was filled with water to prevent the use of combustibles.
The set designer and director collaboratively wanted the world of this play to be Art Deco in grayscale. And so the set dressing and hand props relied on textures and patterns.
Wagon Wheel Center for the Arts Professional Theatre (July 2024)
Director: Tony Humrichouser
Costume Designer: Sydney Martin
Set Designer: Mike Higgins
Lighting Designer: Lilian Meyers
Wigs/Makeup Designer: Jen Dow
Props Designer: Jordan Ingersoll
Photographer: Scott Michaels
Vinyl and leather scraps cut to decorate foam-core passport covers with felt inlays. Stretched and secured with hot glue.
Red for American passports, White for Royalty or nobility, and finally Brown and Black for Military and working-class.
Custom country seals stamped on the fronts of passports.
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