The camera was only used for the “One Fine Day” and moved quickly across the stage. The rake of the aisles was too steep for the camera to roll up quickly, so it had to be light enough to carry.
The log cabin couch cushions, consumable props, and photoshop project for the "How to Orchestrate with Strings" book, essential to Gerry and Carole's relationship.
Wagon Wheel Center for the Arts Professional Theatre (Aug. 2024)
Director: Scott Michaels
Choreographer: Scott Michaels
Costume Designer: Haley Dee Tynes
Set Designer: Mike Higgins
Lighting Designer: Seifallah Salotto-Cristobal
Wigs/Makeup Designer: Jen Dow
Props Designer: Jordan Ingersoll
Photography: Scott Michaels
Mechanical bits were created from furniture gliders and various bolts. (Hot glue and silver chromatic paint for desired effect.)
Spray paint altered the texture of the foam. The camera was moving fast across the space for one musical number, so this did not noticeably alter the look.
The scenic team added a long cardboard tube, a handle, and a base with smart casters so the camera could be easily moved by the staged "camera team".
Inspiration Photo 1.
Inspiration Photo 2.
Inspiration Photo 3. Director asked for a reduction in size and simplification of the camera.
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